Sunday, October 19, 2014
Sunday, October 12, 2014
Book Launch. Would I Lie To You. October 9, 2014
| Mary Lou Dickinson at the microphone reading from her new novel |
| The Audience. |
| Mary Lou Dickinson & Loren Edizel. Q&A |
| Two Inanna Authors. Dickinson and Edizel. Q&A |
| Signing |
Wednesday, September 24, 2014
Sigma Mine, Bourlamaque, Quebec. 1940s or 1950s.
This is the mine where my father worked from 1935 to 1962. It no longer exists in this configuration. It all disappeared when the mine became an open pit operation many years later. Even the highway from Val d'Or to Montreal was moved. Gold motivates decisions, not town planning! That head frame was designed by my father as was the hoist. Memories!
I have posted this because the most popular post on my blog has been one on Sigma. Perhaps those people will find a photo of the actual buildings on surface in the early days of interest!
Wednesday, September 3, 2014
Tagged on FB by prolific, exciting author Lisa Nikolits to write about my writing process:
I've been tagged by the exciting and prolific author Lisa
Nikolits to write about my writing process:
• What am I working on?
• What am I working on?
At the moment, I am editing my third book with the wonderful editor of Inanna Publications, Luciana Ricciutelli. A novel, Would I Lie To You?, it will be launched on October 9th in Toronto. I have also recently completed a mystery novel. When I have time in the midst of editing, sending out invites for the launch, figuring out how to use my website and the Mailchimp program, I am working on a memoir called ‘Restless.’
When I am asked how long it took to write the three books
that will have been published by October, I wince. All were underway before I
retired in 2002, when my goal in my retirement was to see that I actually
finally got my books published. (Collection of short stories, One Day It Happens 2007; Novel, Ile d’Or 2010).
I also occasionally work on another collection of short
stories.
• How does my work differ from others of its genre?
I do not write one specific genre, although I began with short story and novel writing. Mysteries were not in my future, nor was a memoir. But when given an idea for a mystery, I set out to learn how to do that by reading endless mysteries recommended by avid aficionados of the form and review recommendations. The memoir began to unfold when at Banff many years ago I found a manuscript written by a maternal ancestor, who had discovered the Banff Springs, about discoveries in the west during the construction of the CPR railroad. Again I have read endless other memoirs. How does my work differ from others in these genres? I find it difficult to say, but I suspect that my focus to some extent on social justice and that I am a feminist infuse my work. Not that this is not also true of the work of others, just that it always underlies my concerns. I am told that my voice is straightforward and gentle, authentic and honest. I would like to believe that.
• How does my work differ from others of its genre?
I do not write one specific genre, although I began with short story and novel writing. Mysteries were not in my future, nor was a memoir. But when given an idea for a mystery, I set out to learn how to do that by reading endless mysteries recommended by avid aficionados of the form and review recommendations. The memoir began to unfold when at Banff many years ago I found a manuscript written by a maternal ancestor, who had discovered the Banff Springs, about discoveries in the west during the construction of the CPR railroad. Again I have read endless other memoirs. How does my work differ from others in these genres? I find it difficult to say, but I suspect that my focus to some extent on social justice and that I am a feminist infuse my work. Not that this is not also true of the work of others, just that it always underlies my concerns. I am told that my voice is straightforward and gentle, authentic and honest. I would like to believe that.
Why do I write what I do?
What choice does a writer or an artist have? Some theme or character or situation takes up residence in my psyche and demands that I deal with it. Once I have a story or book finished, I have new members in my family in the form of characters who have become so familiar that they are friends for the duration. And if I disagree with them, they exhort me with the fact that I have created them so I had better pay attention.
What choice does a writer or an artist have? Some theme or character or situation takes up residence in my psyche and demands that I deal with it. Once I have a story or book finished, I have new members in my family in the form of characters who have become so familiar that they are friends for the duration. And if I disagree with them, they exhort me with the fact that I have created them so I had better pay attention.
I write because it is apparently a call, or so a nun on a
bus traveling along the St. Lawrence River many years ago told me. A gentle voice,
hopefully, that conveys stories, but also appears to listen and validate the experience
of readers. I used to think I wrote to comfort the disturbed and to disturb the
comfortable, but I don’t think that any more. I just write what I write because
the words are what come to me and the circumstances are those that demand to be
told. I used also to think that writing is a crazy way to stay sane and that
may be what it is for me… my handle on sanity. Creativity as the saving grace
in a troubled world. Or something! And hopefully the writing also conveys some
level of healing to others.
I also write to understand the world, to figure out what I
am thinking, to create a record, to have fun. . It is satisfying to write a
good sentence. I hope to be remembered for at least one memorable sentence!
• How does my writing process work?
• How does my writing process work?
I have been writing since I was 7 and my first book was
published when I was 70. This might suggest a very slow process! What can I say!
It took a long time and the explanation would be a book in itself. Maybe the
memoir I am working on will explain it for me.
Rarely am I facing the blank page (screen) any more, but
rather starting with material that needs revision. If you consider that
revision might be as much as 90 % of the writers’ work, this seems realistic
rather than pathetic. If something simply won’t work, I switch to something
else. This is a far cry from the early days when each piece was new and the
blank page was an unending terror. Persistence has it’s benefits, I guess,
because I often have more material now than I can deal with.
Sometimes the material I am working on is new. Then I am apt
to become a dinosaur and find myself writing in longhand in the middle of the
night. Once I have entered this into Word, I work with the computer. I recall
the days when I had to retype hundreds of pages when I shifted material around.
I remember the days of white out. And am eternally grateful for my computer.
I have, for the last ten years, worked with a writing group (Moosemeat) and the critique that has led to has been very beneficial. I often wonder why I waited so long to see the value of such an environment. In the last year, I started working with another, smaller, group as well. I am submitting my memoir to this group, chapter by chapter. The other writers have books published and as well as being good writers who submit segments of their work, they offer very helpful critique.
I have, for the last ten years, worked with a writing group (Moosemeat) and the critique that has led to has been very beneficial. I often wonder why I waited so long to see the value of such an environment. In the last year, I started working with another, smaller, group as well. I am submitting my memoir to this group, chapter by chapter. The other writers have books published and as well as being good writers who submit segments of their work, they offer very helpful critique.
I don’t have a consistent schedule for work. I have worked
in various ways at different times, depending on the circumstances. When my
children were in their teens and I took a sabbatical from a job to write, I
wrote five days a week during their hours at school. When they left home and I
went back to the employment world, I wrote on Mondays (and weekends). Now that
I am retired from all of that, I try to enjoy being retired (whatever that is)
as well as put in a modest amount of writing a day (it becomes cumulative after
a while) and don’t worry about how much that is unless I find that I am
procrastinating rather than enjoying the rest of my life.
Saturday, August 30, 2014
At the Aquarium. Toronto. August, 2014
Visited the new Aquarium today with my grandson. The prices were for Adults, Youth (up to 13) Seniors, Children. How to figure out what to ask for was a dilemma. My grandson figures he is a middle aged teenager. Certainly not an adult. So when I got to the ticket seller I asked for one senior ticket and one ticket for a grandson. The young woman looked us over and saved us $10 by selling us a senior ticket and a youth ticket. And as m grandson said, "No one told any lies." Anyway, it is a splendid aquarium with so much to enjoy and learn. Both of us enjoyed it!
Wednesday, July 30, 2014
A New Novel... Coming Soon to a bookstore or library near you!!
You are invited to the launch of my new novel, Would I Lie To You? at The Supermarket, 268 Augusta Avenue in Kensington Market, Toronto on Thursday, Oct. 9th at 6 p.m. Mark the date on your calendar.
If you don't live in Toronto, but know people would like to have me read in your town/city, that can be arranged. There is also Skype, of course!
*********************************
Would I Lie to You? is a novel about secrets, secrets that even loving couples have been known to keep from each other. After ten years of marriage, Sue and Jerry each harbours a significant secret. In this novel, the son our protagonist didn’t know her husband had and the daughter she had when she was sixteen and never saw.
Would I Lie to You? is a novel about secrets, secrets that even loving couples have been known to keep from each other. After ten years of marriage, Sue and Jerry each harbours a significant secret. In this novel, the son our protagonist didn’t know her husband had and the daughter she had when she was sixteen and never saw.
When Jerry becomes ill and it’s apparent he’s
dying, Sue visits a psychic, Hans, who tells her there is someone like a son in
her life... and...


The novel confronts what happened when pregnancies
were kept secret many years ago, what happens when mother and birth child look
for and either find, or do not find, each other. It also explores the reality
of family secrets, huge issues that are kept quiet under the veneer of polite
society and that affect the individuals and families involved for lifetimes,
even generations. The novel also raises the question of who is family and how
do we create one.
**********************************
Whether you can make it out to the launch or not, I invite you to read my new book! You are also invited to comment in the comments section of this site. Or you can email me at marylou.dickinson@gmail.com or add a
comment to my website at www.maryloudickinson.com
Please pass the word along. Word of mouth is a powerful way to garner attention for a book!
Thursday, June 19, 2014
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